For the most part, I work with kiln-formed glass, creating sculpture by the processes of casting, fusing and slumping. Sometimes, my pieces are combined with glassblowing and lampowrking techniques. I try to keep it fresh by 'playing' with the glass, using my curioisity as a means to get to an unpredictable end.

In Bridge and Reflection, I put the clear 'reflection part under the dark 'bridge' part. The transparent property of the glass lets the clear reflection part merge down with the water background as it would in nature.

In The Moon in The Water, I put an opaque black crystal between two transparent hollowed out pieces to stress the visual contrast.

I like to think that I do not imitate, copy, or replace nature in any way, but instead create a lasting impression of it. I make mountains, sun, moon, water, plants and animals, all the beautiful things that nature has provided us with as inspiration. For me, nature contains all the elements needed to create artwork; the viewer only needs to interpret. My glass art embraces nature with an analytical attitude, and then proceeds to recompose the elements presented in a new way. From this point of view, the essence of nature is nonconformity and ambiguity. Nature itself is composed of free space and imagination. This thought process is the driving force behind pieces such as Ridge of the Earth and 60 Springs.